The South American ‘Mozart’
Life and work of Pedro Ximénez Abrill
Karin Cuéllar Rendon is a Bolivian violinist specialising in Historical Performance at the Royal Academy of Music. She is currently a beneficiary of both the San Marino and the Vincent Meyer scholarships and is pursuing an Advanced Diploma under the guidance of Maggie Faultless.
Friday 27 October 2017, 18.30
Room G349, Senate House, Malet Street, London WC1E 7HU
Tickets, including refreshments: non-members £6, members £5, students (with valid ID) £3
To book, email: firstname.lastname@example.org
Pedro Ximenez Abrill Tirado was a Peruvian composer from the end of the 18th century and beginning of the 19th century. He is one of the biggest exponents of the Classical and early Romantic styles in South America, for which he has been compared with W.A. Mozart. Ximenez’ music, however, incorporates folkloric elements from Peruvian and Bolivian traditional music into a predominantly European musical aesthetic. His work, therefore, has become an important source for the study of the music scene in South America in the time of the early Republics.